
Reviews

"...Mark Oliveiro took to the stage with a digital music mixer and laptop to manipulate the live vocals of soprano Suna Avci. As Avci sung passages from New York poet Dylan Reid Pancer's "The Physical Impossibility of Death in the Mind of Someone Living," Oliveiro reshaped them, combining them with 14 separate prerecorded tape parts."
From Do You Compute? Brian McFillen reviews Mark Oliveiro's A Cycle of Fallacy, performed in 2008 at the Auer Center in Bloomington, Indiana. Read More >>


"...the music by Mark Oliveiro was a continual and effective part of the atmospherics of the play."
George Walker reviews Indiana University's unique production of Shakespeare's Hamlet, with music by Mark Oliveiro. Read More >>


"...the work begins with the solo cello announcing a series of
static chords like the great rock walls of the mountains, prolonged
by electronically generated echoes; later sections require
the soloist to soar above the orchestra like a bird in flight, or
to tumble down dramatically like a waterfall. The electronic
effects and the predominantly static orchestral parts surround
these lines with an
atmospheric halo like dense cloud shrouding
the landscape."
Conductor David Angell reviews Mark Oliveiro's Cyan Echo II, performed by the Bourbaki Ensemble at "Mountains, Forest, Sea: Music for Strings" - a concert held in March 2009 at St. Stephen's Church, Newtown. Read More >>


"...This lament for solo cello was enhanced by the glitter and glimmer of the instrument's own echo, becoming more and more dramatic as it went along..."
From chronology arts - Electric id:
Anni Heino reviews Mark Oliveiro's Cyan Echo I, performed in March 2009 by chronology arts at the Sydney Conservatorium of Music. Read More >>

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